Brink Productions’ First Nations Fellowship supports First Nations theatre makers to take the time they need to imagine, develop, lead, and create new performance work.
Built on the development of relationships and cultural care, the Fellowship creates space for artists to explore theatrical ideas, work in community, lead projects, and build trust in ways that honour their stories, creative processes, and individual needs.
The Fellowship values listening, creative time, and sustained support and mentorship, rather than focusing on quick outcomes. Fellows receive tailored, bespoke opportunities to connect with industry partners, and pathways toward future development, presentation, or commissioning—guided by each artist’s long-term ambitions.
The Fellowship is open to Writer’s + Storytellers, Directors, Producers and Designers, ensuring it responds to the individual goals and cultural practice of each Fellow.
Through the First Nations Fellowship, Brink will work with 2 First Nations artists to:
At its heart, the Fellowship is about time, trust, respect, creative freedom, and meaningful creative relationships—an investment in First Nations artists and the stories that will help shape the future of Australian theatre.
The First Nations Fellowship program is supported by CreateSA.
Our inaugural fellows, Sonya Rankine and Jannali Jones, have spent the past two years developing new performance works in close collaboration with Artistic Director Stephen Nicolazzo.
These works have moved through multiple phases of development; from seeding to drafting to creative development and readings with performers and creative teams.
During this time, Sonya Rankine has created Lakun Mi:Mini, a musical song cycle that weaves together her personal story with songs of protest, poetry, rhythm and blues, jazz, and the live creation of a traditional weave on stage. She has, through the fellowship been able to collaborate with song writers and musicians to compose all of the original songs through a series of regional and metro based workshops. The artists Sonya has been collaborating with include First Nations artists Nancy Bates, Allara-Briggs Pattison and Phil Noel.
Jannali Jones is writing a full-length play, ‘67, set in Adelaide during the 1967 Referendum. The work is an intimate gay love story and noir-inspired thriller for three performers, exploring the charged relationship between a Black man advocating for the ‘Yes’ vote and another who remains uncertain about whether white Australia can truly support his community. As desire, politics, and mystery intertwine—alongside a search for a missing sister—the play unfolds as a tense, erotic, and emotionally gripping theatrical journey. Jannali has had the opportunity to hear drafts of the play read by an incredible group of First Nations actors, including Zach Blampied (Stan’s Invisible Boys), Lila Maguire (ABC’s Goolagong) and Corey Saylor-Brunskill (Malthouse Theatre’s Whose Gonna Love em?).
FIRST NATIONS FELLOW
SONYA RANKINE
What attracted you to apply for the Fellowship?
The opportunity to bring an idea to life. Learn the skills to develop a theatre production, the intricacies of what is involved and the layers of bringing everything together. The importance of being led by First Nation creatives and working alongside Elders and community is incredibly important. I’ve been so inspired on a very personal level as a Narungga person working alongside my cousin Jacob Boehme on Wild Dog and recently with Guuranda show for the Adelaide Festival.
FIRST NATIONS FELLOW
JANNALI JONES
What attracted you to apply for the Fellowship?
The description of the fellowship sounded perfect for where I’m currently at with my writing career. While I’ve been a writer for a while now, playwrighting is a completely new skill to me, and the Brink fellowship provides an opportunity to develop a new work with the support of experienced people in the industry. I think that guidance is crucial when you’re starting out.
I’m also keen to network, not only because the process of theatre is so collaborative, but because I would love to see more Aboriginal theatre in South Australia. Beyond the fellowship, I’d love to help contribute to building more of a presence in our state and the networking part of the fellowship will be an invaluable part of working towards that.
It also ticked a lot of boxed for me in terms of being flexible – I have a young daughter who isn’t in school yet so the ability to negotiate my schedule appealed to me.
FIRST NATIONS FELLOW
Dominic Guerrera
Dominic Guerrera is a Kaurna and Ngarrindjeri poet and visual artist who resides on northern Kaurna Yarta. His interdisciplinary practice moves between poetry and text-based visual art, with language operating as both literary form and visual material. Across his work, Guerrera engages deeply with themes of Aboriginal truth-telling, self-determination and live experience.
Guerrera is an award-winning writer whose work often combines political clarity with personal intimacy, whilst challenging colonial narratives and institutional power. He received the ‘Oodgeroo Noonuccal Indigenous Poetry Prize’ and the ‘David Unaipon Award’ for his forthcoming Poetry Collection Native Rage, through University of Queensland Press. He is the First Nations editor at ‘Cordite Poetry Review’, one of Australia’s leading online poetry journals.
Alongside his literary practice, Guerrera’s visual art extends his engagement with text into physical space. Working across printmaking, screen-printing, ceramics, and installation. His visual works often draw on the same concerns as his poetry, translating language into storytelling.
In recent years, Guerrera has exhibited text-based visual works that have received strong audience response and will continue to expand into storytelling formats while continuing to provoke audiences to be uncomfortable with the truth.
Dominic’s day job sees him working with regional Aboriginal artists as an Aboriginal First Nations Creative Producer. Dominic works as both a producer and an advocate to bring to life regional Blak stories to a wider South Australian audience.
FIRST NATIONS FELLOW
Aunty Michelle Jacquelin-Furr
My name is Aunty Michelle Jacquelin-Furr and I am a Traditional Owner and First Nations Elder of Boandik country living at Port MacDonnell (Ngaranga), South Australia. I am a cultural storyteller and playwriter and am passionate about reviving my traditional language, Bunganditj. I have published two picture books about my great grandmother Aunty Annie Brice, and a special feature of these books is the inclusion of Bunganditj language. More recently I have been working on a script for theatre about the life of Annie Brice.
My background is in Education. I worked for over thirty years at TAFE in Sydney NSW in Tourism and Hospitality and the last four as South West Sydney Institute Aboriginal Development Manager. My daughter and I ran a very successful business , an aboriginal long day care centre, Playful Beginnings Aboriginal Corporation in Liverpool NSW before I returned back to country in South Australia.
I currently run Boandik workshops at schools all over the Limestone Coast as well as at nunga aboriginal playgroup in Mount Gambier (Berrin), incorporating cultural perspectives, bunganditj language appreciation, weaving, storytelling and using my books, ‘Annie’s Story – Growing up Strong on Boandik country’ and ‘Annie connects with Boandik culture’ to connect meaningfully to history and language through family storytelling.
In 2021 I began organising ‘cultural bus tours – through the eyes of Aunty Annie Brice’. This involved organising half day and full day tours around the local area. We travel to specific locations and I tell the story of how this land was before colonisation, impacts of settlement, massacres, re -tell Creation and Dreaming stories, sing and dance on country, weaving on country…….To date there have been 28 bus tripsI also tutor for Adelaide University at Berrin campus on the Aboriginal Pathways programme teaching Aboriginal Knowledges Narrative.
Pangula Mannamurna Aboriginal Health Corporation in Berrin has employed me since 2024 as the Birthing on Country cultural advisor(BOC) in conjunction with Southern Cross University. This new challenge has a more direct focus on assisting and providing specific cultural advice and support for local mums and bubs, BOC coordinator, midwives, ISISTAQUIT project team and the Southern Cross University.
content
contact