Josie Alibrandi is in her final year of high school. Whip-smart and aspirational, she is a third-generation Italian teenager and scholarship kid, with the shadow of a family curse and a penchant for rule-breaking. Juggling grades, boys, and the claustrophobia of an overbearing nonna and saintly mother, Josie’s life becomes tangled in the webs of class, identity, and family history as she finds her place in a changing world.
Iconic novel and cult movie, Looking for Alibrandi is the honest and empowered portrait of 1990s Mediterranean culture that spoke for the first time about systemic racism in Australia from a migrant perspective. It defined a generation and to this day resonates with those caught in the stranglehold of identity and othering in this country.
Award winning director Stephen Nicolazzo (Loaded, Merciless Gods) brought Melina Marchetta’s best-selling novel to the stage for the first time, where Vidya Rajan’s AWGIE nominated adaptation joined three generations of women in a passionate, heart wrenching, and unmissable rendering of the Australian classic. With live pasata sauce making, traditional Italian music and a soundtrack of Australian pop classics, Looking for Alibrandi is a vibrant theatrical experience full of passion, laughs, and beauty.
Originally commissioned by Malthouse Theatre and co-presented by Malthouse Theatre and Belvoir, Looking for Alibrandi sold out both of its original Melbourne and Sydney seasons and saw record breaking student attendance, with over 2,200 students and 5 dedicated education matinee performances at Belvoir during the season. By the time it closed, this incredibly popular cult-classic, was one of Belvoir’s top selling shows of the past decade and had an audience of over 20,000 across Melbourne and Sydney. Now, as part of Brink’s next chapter, this hilarious, spirited and heart-warming production returns for a national tour.
Show contains: Stage violence, suicide, sexual references, descriptions of domestic violence, discriminatory language, smoke and haze effects.
This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body.

Cast subject to change
Suitable for ages 14+
2 hrs 20 mins [20 min interval]
Contains coarse language!
— Looking for Alibrandi was commissioned and first produced by Malthouse Theatre and Belvoir in 2022. —
CREATIVES
Director Stephen Nicolazzo
Playwright Vidya Rajan
Author Melina Marchetta
Set and Costume Design Kate Davis
Lighting Design Katie Sfetkidis
Sound Design Daniel Nixon
Musicians Rosa Voto + Renato Vacirca
Tarantella Choreography Rosa Voto
Dialect Coach Paulo Bongiovanni + Rosanna Morales
Cultural and Language Consultant Lucia Mastrantone
CAST LEG 1
Chanella Macri, Lucia Mastrantone, Jennifer Vuletic, Ashton Malcom, Riley Warner + Chris Asimos.
CAST LEG 2
Chanella Macri, Amanda McGregor, Natalie Gamsu, Brigid Gallacher, Riley Warner + Chris Asimos.
CREW
Production Managers Lachlan Turner + Steve Tilling
Stage Manager Jacinta Anderson
Assistant Stage Managers Ashlee Scott + Charlotte Welden
2025 Reviews
★★★★★
“Blood and sauce – love and trauma – coexist in every family pot. Nicolazzo leans into this symbolism without overplaying it, letting imagery speak while grounding the characters in heartfelt interactions.” Scenestr
★★★★★
” A stunning adaptation of a book that so many Australians hold dear. With humour, heart, and good cooking, this play is a must-see before it closes.” Glam Adelaide
★★★★★
“A skilled and standalone theatre piece…” The Clothesline
★★★★1/2 “A fantastic work and a wonderful adaptation of the original novel, being joyous, sombre and profound in equal parts. The acting is fantastic, and the depth of the characterisation makes for a truly meaningful watch. As the question of what it means to be an Australian continues to percolate in the public consciousness, this production feels more relevant than ever and should be commended to all.” Musical Theatre.AU
★★★★ “Whether you read Marchetta’s novel growing up or are unfamiliar with the source material, this production is worth the time of any Australian who knows (or will soon know) what it’s like to navigate the tough decisions in life.” Theatre Matters [NSW]
★★★★ “The casting of Chanella Macri in the lead role gives a fresh face to this well-known tale which eviscerates the image of Pia Miranda in her iconic performance in the film version that became an Australian classic. Macri makes the beloved role her own, while retaining the qualities that make Josie so endearing. Lucia Mastrantone’s talent is on full display as she performs dual roles that showcase her range as an actor. As Josie’s mother Christina, she radiates warmth and compassion towards her daughter while struggling as a middle-aged single mother endeavouring to recapture her own identity as her daughter moves closer to adulthood. As Josie’s best friend Sera, her delightful effervescence adds energy and maintains momentum, particularly in the tightly paced first half of the play. There’s a tonal shift after the interval, enhanced by Katie Sfetkidis’ lighting design. Darker themes including suicide and domestic abuse emerge, directed with nuance and sensitivity by Stephen Nicolazzo. Jennifer Vuletic as Nonna provides retrospection and catharsis as secrets are revealed which reframe the past and offer insights into the realities of the post-war migrant experience while celebrating strength and resilience of the Alibrandi women. This is a spirited, enjoyable performance and on a cold winter’s night, it left my heart feeling a little warmer and a little more Italian.” Sydney Arts Guide [NSW]
★★★★
“It provides a rich tapestry of perspectives that resonate with contemporary audiences both young and old and the diverse and large opening night audiences frequently laughed and silently shed tears at what unfolded on stage.” Arts Hub
“A whip-smart, heart-tugging, laugh-out-loud delight” Stage Whispers
2022 reviews
★★★★★ “Clever, funny, heartening and well-crafted” Theatre Matters
★★★★1/2 “Comical and beautifully honest…a joyous and poignant experience…a ridiculously enjoyable sunbeam of a production” Arts Hub
★★★★ “Suddenly I was that awkward teenager again, and that is what makes great story telling. The ability to transport you to another place and time. To engulf you in a world that is not your own and yet feels so familiar. That is the magic of Looking for Alibrandi. A magic that continues to warm people’s hearts thirty years after Marchetta’s pen first touched the page” The AU Review
★★★★ “A heart-warming tale whose humour, honesty, radiant social relevance and narrative longevity can survive not only novel and film incarnations, but now, I’m delighted to report, a stage play too.” Theatre Now
“Dark and uncompromising. It will resonate with subsequent waves of migrants” The Australian
“Buoyant and entertaining, spirited and good-humored.” The Age
“Chanella Macri is an excellent Josie, with her quality eye-rolling and ability to deliver cheeky wisecracks injecting a vibrancy to the heart of the show that made this reviewer cackle more than once. Macri is a Josie for all of us in 2022, a world that has undeniably changed since the ‘90s, when high schools (nay, the world) were divided along hard lines of “skips versus wogs”. She brings her own intersections of identity to the role. Being both a woman in a bigger body and a woman of colour with a complex cultural mix, Macri is a perfect representation of what ‘otherness’ means for us today. She brings the essence of Josie’s experience in the ‘90s straight into the heart of a Sydney in 2022, where being skinny and Italian no longer means the same thing it did when Marchetta was writing back in the late 1990s.” Time Out
JANNALI JONES
Theatre Experience
Playwright for the Yirra Yaakin Playwrighting Festival 2023 – developed play ‘Downstream’ (Subiaco Arts Centre)
Adelaide Fringe Festival 2024 – writer and producer for play ‘Trail’s End’ (Goodwood Theatre & Studios; Domain Theatre, Marion Cultural Centre)
Community theatre – chorus member for shows Hairspray, Les Misérables, Sweeney Todd (Ashfield Musical Society), Pirates of Penzance (Chatswood Musical Society) and portrayed ‘Florinda’ in Into the Woods (Balmain Musical Society).
Publications
Awards
SA Writers First Nations Varuna Fellowship 2024
First Nations Fellowship, JM Coetzee Centre, University of Adelaide 2023
Shortlisted for the 2023 Deep Creek Residency
2022 Varuna Residential Fellowship
First Nations Varuna Fellowship 2021
Shortlisted for the 2020 Daisy Utemorrah Award
Shortlisted for the 2019 Text Prize for Young Adult and Children’s Writing
Winner 2015 black&write! Indigenous Writing Fellowship, State Library of Queensland.
Nakata Brophy Award – Runner Up, Trinity College, University of Melbourne, 2015.
Yarramundi Higher Degree Research Scholarship, University of Western Sydney, 2014.
Australian Indigenous Creators Scholarship 2013, Magabala Books.
Katharine Susannah Prichard Speculative Fiction Awards 2012 – High Commendation.
Young Writer-in-Residence 2011, Katharine Susannah Prichard Writers Centre, Perth.
Dean’s Award for Outstanding Achievement 2011 (Master of Arts in Creative Writing), Faculty of Arts and Social Sciences, University of Technology, Sydney.
Lindsay Croft Postgraduate Memorial Scholarship 2010 (merit-based scholarship for Master of Arts in Creative Writing), Jumbunna IHL, University of Technology, Sydney.
FEAST Festival 2010 Short Writing Competition – High Commendation.
Sydney Eisteddfod 2005 – Original Work: Short Story – High Commendation.
CV
Education
Master of Arts in Creative Writing, University of Technology, Sydney.
Graduate Certificate in Editing and Publishing, University of Technology, Sydney.
Shut Up and Write Indigenous Workshop, AFTRS
AFTRS NSW/ACT Talent Camp 2019
Writing for Television Online Course, AFTRS
Research for Writers course, Swinburne University
Other Experience
Board appointment: Aboriginal Arts & Culture Artform Board, Create NSW 2021-present
Reader for the 2021 Richell Prize for Emerging Writers
CATSINaM Cultural Awareness Training (scriptwriter), 2020
Board appointment: Literary Review Board, Australia Council for the Arts 2019
Staff Profiles, NITV website, 2015-16.
Editor – Spilt Milk Magazine, Issues 1 & 2, Sydney, 2015.
‘Sister’, multimedia artwork, finalist in the NSW Parliament Aboriginal Art Prize 2013
‘Gone Again’, short story included in artwork for In the Night Garden, Sydney Fringe Festival 2013.
Paper: ‘Indigenous Australian Cultural Protocols and Post-Determination Literature’ presented at the American Association of Australasian Literary Studies, Fort Worth, Texas, USA, 2011.
Paper: ‘Finding Home – Identity Bonds through Indigenous Literature’ presented at the Republic of Letters, Sydney, 2011.
ALEXIS WEST
Alexis West, a Birra Gubba, Wakka Wakka, South Sea Islander and Caucasian woman. A mother, writer, director, collaborator and performer in life, film, theatre, poetry, dance, weirdness and events. Written, collaborated, performed and directed works with No Strings Attached Theatre of Disability, Karrikarinya Theatre Collective, Kurruru Youth Arts, State Theatre Company South Australia, Yirra Yaakin, Act Now Theatre Company, Jute Theatre, Illbijerri Theatre, Slingsby Theatre Company, Theatre Republic, Hit Productions, Tjaratjura Dance Theatre and A Daylight Connection.
Alexis has presented and shared stories for NITVs ‘Around the Traps’ on SBS-NITV. Written and directed short documentaries.
She has been published in ‘Growing Up Aboriginal in Australia’, ‘Mindshare’, ‘Ora Nui’, ‘Our Mob’ and ‘Spirit Festival Catalogues’ and translated into Polish for ‘Poetiks’, ‘The Rock Remains’ First Nations SA Anthology. Alexis works with Act Now Theatre creating, performing and working as a facilitator, curator and mentor for the First Nations Pathway Program. She has worked as a dramaturg, collaborator, performer and mentor. Passionate about storytelling on any platform, creating with kindred spirits, considering ways to inspire and create pathways and opportunities for others. Alexis’ most recent tour was with Hit Productions ‘The Sunshine Club’ by Wesley Enoch.
Please contact John Glenn: john@brinkproductions.com to discuss show touring
22-31 May 2025
Dunstan Playhouse
Adelaide Festival Centre
11-15 June 2025
Riverside Theatres [Parramatta]
19-21 June 2025
HOTA [Gold Coast]
20-23 Aug 2025
The Story House
Geelong Arts Centre
27-29 Aug 2025
Theatre Royal [Hobart]
2-3 Sept 2025
Middleback Arts Centre [Whyalla]
5 Sept 2025
Northern Festival Centre [Port Pirie]
9-10 Sept 2025
Sir Robert Helpmann Theatre [Mt Gambier]
12 Sept 2025
Chaffey Theatre [Renmark]
17-18 Sept 2025
Her Majesty’s Theatre [Ballarat]
26 Sept 2025
Orange Civic Theatre [Orange]
3-4 Oct 2025
Canberra Theatre Centre
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